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On behalf of the County of Los Angeles, the Music Center is committed to building civic vitality by strengthening community through the arts. We accomplish this by bringing to life one of the world’s premier performing arts centers and by providing distinctive leadership and diverse opportunities for life-long learning and engagement with arts and culture. We advance our mission through three core strategies: •     Operate and animate the Music Center through Resident Company relationships and services; presentation of dance and unrepresented performing arts genres; creation of participatory arts engagement programs alongside traditional presentations, and fostering creative experiences and engagement in and through the arts. •     Create, develop and implement diverse educational and participatory arts programs for children, families and adults in schools, neighborhoods, and at the Music Center. •     Provide leadership to advance the arts as part of the core curriculum in K-12 schools and as central to the larger civic agenda, to underscore the essential value of creativity, and to highlight the role of the arts in a democratic society.

For the past 50 years, the Shakespeare Club has become particularly well-known for its Broadway musicals staged annually to benefit various worthy charities in our community. In recent years, these have become semi-professional productions involving an entire year of planning and preparation. Under professional direction and choreography and with professional sets and orchestra, club members, husbands, and friends volunteer thousands of rehearsal, production, and promotion hours to bring the show to the public. Proceeds from these productions have been donated to various charities: The Association of Retarded Citizens, Wellness Community, Villa Esperanza, the Pasadena Ronald McDonald House, and Susan G. Komen for the Cure. Currently, our proceeds go to fund college scholarships for outstanding high school graduates in Pasadena high schools.

Blue Bear School of American Music was founded by a rock band in the early '70's. Why not teach Rock instead of Bach, the Blues instead of Beethoven? Including solid music theory courses along with professional mentoring, electric Band Workshops and Songwriting courses, Blue Bear continues to offer high quality popular music education at affordable prices to music lovers of all ages. Scholarships are awarded annually to promising talent ages 12-22, funded by contributions from individuals, music industry professionals and businesses. Blue Bear has an active outreach programs serving at-risk kids in the Bayview and Tenderloin districts and runs after-school music programs at over 15 sites in San Francisco. Our mission statement is: Empowering people to play the music they love!

Founded in 2010, the Charleston International Music School (CIMS) provides excellence in performing arts education here in the Low Country, as well as on a national and global level. Students from around the world are coached by CIMS' international faculty in solo and chamber music performance, as well as music theory, choir, and ear training. CIMS' hallmark is the powerful sense of connection and enthusiasm that it fosters in both students and faculty alike. Students work and perform with musicians of different backgrounds and nationalities, learning to communicate through their music-making. This intensive program creates the best conditions for gifted young musicians to flourish. Our programs are tailored to each student’s level and development, including private lessons, music theory, ear training, chamber music, choir, master classes with CIMS faculty and visiting artists, as well as extracurricular seminars. Throughout our two week Summer festival, students perform at various venues including historical sites in downtown Charleston. Local students study privately with CIMS Faculty, and participate in masterclasses and recitals year round. All CIMS concerts are open to the public and free of charge.

The Vietnam Education Society was established in 2005 to raise funds to cover the cost of construction for new preschools and primary schools in rural Vietnam. Local authorities manage and operate the facilities, which are inspected by VES and our partner, East Meets West, on a regular basis. VES opened its first school in Vietnam in June 2007, a ten room school that serves close to 400 students in the small community of Cat Ne, Thai Nguyen Province, Vietnam. A multipurpose room and early childhood development centre were added to the school. Since that time, VES has built three other schools and is currently (Spring 2013) working on plans for the fifth facility. VES also works with the Pacific Links Foundation, an organization dedicated to helping stop human trafficking along the border regions in Vietnam. VES provides 40 scholarships for at risk girls and sponsors a summer camp to provide these girls with support and life skills

from the website: Navarasa Dance Theater's mission is to make the arts accessible to all through performances, classes and social awareness. We believe that the performing arts are a source of inspiration for society, a means of expression and an integral part of every person's life. Art is not just a pastime of the privileged; it is a necessity for all. Furthermore, Navarasa Dance Theater believes that art is an effective and powerful medium to create awareness and to mobilize people for positive social change. Navarasa works with all forms of arts to create social justice awareness and to empower people, especially people of color and people from low-income communities. Navarasa Dance Theater offers classes in Bharatanatyam Classical Dance, Kalari ppayattu Martial Arts, Yoga (in-studio and online); as well as workshops in Aerial dance Mallakhamb rope and pole, Ways of Expression (Story telling through your body), Physical Theater for Emotional Expression, Contemporary Dance in a multi-cultural world, Acting for Dancers, Movement for Actors, and Voice. Navarasa's Dance for Everyone program offers free training and scholarships in performing arts for low-income students of dance and martial arts, with programs in Kerala, India; Boston, MA and Los Angeles, CA. Navarasa's touring dance theater company has performed in Asia, North America and Europe for almost 20 years.

WT EDUCATION PROJECT OUR VISION The Wilmette Theatre is the premiere multi-arts and performance center anchoring the downtown business district by providing vibrant entertainment, education and enrichment for the community. We are a 501(c)3 not for profit organization so all donations are fully tax deductible. WHAT WE DO FOR THE COMMUNITY UNIQUE PROGRAMMING We screen movies that are not shown elsewhere in Chicago, host speakers and live events attracting patrons from a wide geographic area. A BOOST TO THE LOCAL ECONOMY Over 32,000 patrons in 2016 from all over the Chicago area. We don’t receive any government funding but pay about $40,000 per year in property and sales taxes. COMMUNITY SUPPORT We provide a venue for events for many nonprofits, independent film makers and community organizations. We donate hundreds of movie ticket packages to other nonprofit organizations. LIFE CHANGING EDUCATION Actors Training Center is the premiere school for young actors in the Chicago area.

New York Classical Theatre’s mission is to reinvigorate and create audiences for the theatre by presenting free productions of popular classics and forgotten masterpieces that pop up in non-traditional public spaces throughout the five boroughs. We are the only all-free professional theatre in New York City. Our free productions currently pop up outdoors in Central Park, The Battery, Battery Park City Parks, Prospect Park and Brooklyn Bridge Park and indoors in Brookfield Place and One Liberty Plaza. New York Classical’s hallmark is Panoramic Theatre, a style created by Founding Artistic Director, Stephen Burdman, to build a unique relationship between the actor, audience and venue. Scripts are adapted to fully embrace each performance space and through the influence of 19th century staging and single camera cinema techniques, the audience is placed at the center of the action of the play, giving them access to a deeply immersive theatrical experience. Our outdoor productions in expansive public locations push Panoramic Theatre further. At each performance, the audience follows the actors from place to place as the plot unfolds from scene to scene, following the journey of the characters. Using different areas to stage specific scenes opens up endless creative possibilities for performers and our audience. By utilizing large physical environments as our playing arenas, audiences literally inhabit the world of the play and become active participants in the drama unfolding around them. By offering our Off-Broadway performances for free, we ensure that all people, regardless of their economic, ethnic or educational background have access to the highest quality professional theatre. Our open rehearsals in public venues also allow our audience to observe the evolution of a production while demystifying the language and poetry of classical theatre. We firmly believe that the themes of the classics remain relevant to the lives of all New Yorkers today. Through the lens of classical theatre, we come to better understand human nature and our role in contemporary life. As a result, our free performances build new and future audiences for live theatre by attracting many underserved and non-traditional spectators.

Little Kids Rock transforms lives by restoring, expanding, and innovating music education in our schools! Little Kids Rock began in 1996 as an informal effort by ESL teacher David Wish to give his San Francisco Bay Area second grade students a music enrichment program because the school did not have funding for one. What began as one teacher’s effort to bring music education to a few dozen public school children has catapulted into a national nonprofit that serves hundreds of thousands of young people year after year. Little Kids Rock was incorporated as a 501(c)(3) organization in 2002, and has since expanded with programs in 48 states. We accomplished this by: • Championing an innovative modern band music education that connects learning to the music kids already know and love—styles including rock, pop, hip-hop, country, EDM, reggae, and other contemporary styles as they emerge—performed on guitar, keyboard, bass guitar, drums, vocals, and technology • Recruiting, training, and equipping public school teachers to start music programs utilizing our methods and materials • Partnering with public school districts to provide a quality music education to as many young people as possible—especially those in underserved communities Today, Little Kids Rock is the largest nonprofit provider of musical instruments, program curriculum, and teacher training in the country. Having trained more than 5,000 teachers and served more than 1,000,000 students in 500 public school districts to date, Little Kids Rock has emerged as a national thought leader in the field of music education to become a valued service provider to the U.S. public school system.

La MaMa is dedicated to the artist and all aspects of the theatre. It has a worldwide reputation for producing daring work in theatre, dance, performance art, and music that defies form and transcends boundaries of language, race, and culture. Founded in 1961 by theatre pioneer and legend Ellen Stewart, La MaMa is a vital part of the fabric of cultural life in NYC and the anchor of FAB (Fourth Arts Block). In the 1960's, Ms. Stewart, one of the first black fashion designers in New York, worked as the executive designer for Saks Fifth Avenue and was undoubtedly a trendsetter. She began La MaMa with the belief that art, in order to flourish, needs: fiscal support, the company of colleagues, the spirit of collaboration and a public forum in which to be evaluated. The original house of La MaMa sat 30 people, and the stage was the size of a bed. Today, La MaMa is a four-building campus with three theaters, an art gallery, an art and technology studio, rehearsal studios, a dormitory, offices, and an extensive archive documenting the history of Off-Off-Broadway. La MaMa produces approximately 70 productions annually, most of which are world premieres. To date, more than 3,500 productions have been presented at La MaMa with 150,000 artists from more than 70 nations. La MaMa's programming is culturally diverse, cross-disciplinary and draws audiences from all walks of life. In addition to affordable ticket prices, La MaMa distributes up to 8,000 free tickets annually to social service and education organizations. Annual visitors exceed 32,000 people from New York and beyond. Each year, La MaMa provides employment opportunities for more than 260 artists and administrators including performers, writers, composers, directors, choreographers, musicians, designers and educators. La MaMa is a think tank and an experimental forum where artists at various stages of their career and creative development come to take risks. Much of the work done here allows the artistic experimenter to take the lessons learned and capitalize on them elsewhere, thus influencing much of what is eventually seen in commercial theater and the entertainment industry at large. In addition, La MaMa provides people of all ages and backgrounds with an opportunity to explore the arts in various capacities - as a member of the audience, the creative team, production crew or cast. "A home to, and champion of, brash and venturesome artists!" - New York Times Countless American artists have worked at La MaMa during the early stages of their careers, including: Blue Man Group, Steve Buscemi, Robert DeNiro, Andre DeShields, Danny DeVito, Olympia Dukakis, Harvey Fierstein, Philip Glass, Bill Irwin, Diane Lane, Bette Midler, Meredith Monk, Estelle Parsons, Sam Shepard, Patti Smith, Elizabeth Swados, Julie Taymor, Andy Warhol, Lanford Wilson, Robert Wilson, Scott Wittman and Joel Zwick. New Eastern European Theatre was introduced to America in 1967 when La MaMa brought Ryszard Cieslak, Ludwig Flaszen, and Jerry Grotowski to New York. Other international artists whose work premiered at La MaMa include Ivica Buljan, Peter Brooke, Tadeusz Kantor, Kazuo Ohno, Andrei Serban, Shuji Teriyama, and Ahmed Yacoubi. La MaMa has received more than 30 Obie Awards, dozens of Drama Desk and Bessie Awards. Recent significant premieres include: The Foundry Theatre's GOOD PERSON OF SZECHWAN; Belarus Free Theatre's BEING HAROLD PINTER (Obie Award); Lee Breuer's LA DIVINA CARICATURA; and SOULOGRAPHIE: OUR GENOCIDES by Eric Ehn.

TRANSFORMING LIVES THROUGH A LIFELONG CONTINUUM OF WORLD-CLASS MUSIC, THEATRE, AND DANCE.

MISSION: To entertain, engage and educate through dance. VISION: To create and foster world-class art and artists that inspire Columbus and beyond.