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We believe that by working together, residents can improve the social, economic and physical conditions of their community. Since its inception in 1993, BT has united thousands of people around multiple community issues, including housing, education, healthcare, safety, city services, and youth programming. Our goals are to: increase the community's capacity to take action to address important issues; challenge members to develop skills to advocate for their community and themselves; address the root causes of poverty and inequality in the community; create neighborhood stability by ensuring that needed resources are invested in the community; and include all people regardless of class, race, age, ethnicity, gender, disability, religion, or sexual orientation.

Lumberyard, one of the nation's leading contemporary performing arts institutions, serves the performing arts community and its audiences by providing multi-faceted opportunities for artists to develop new work. Unwavering in its commitment to assisting artists throughout the creative process, Lumberyard operates with a collaborative and generous spirit, one driven by this support for artists and appreciation for the audiences who value their work. Lumberyard's history goes back to 1999 when, thanks to founder and benefactor Solange MacArthur, it began as American Dance Institute (ADI), a dance school based in Rockville, Maryland. In 2010, after looking closely at the challenges facing the American contemporary dance field, ADI changed course to focus on artist-centered programs that include residency and performance opportunities. This new direction resulted in what is now Lumberyard's stellar reputation for providing this much needed support, with the Incubator residency program, introduced in 2011, especially praised. Lumberyard also serves emerging artists through its Solange MacArthur Award and Future Artists Initiative. In summer 2016, Lumberyard responded to artists' requests for residencies to culminate with a New York City performance season by launching Lumberyard/NYC, an initiative undertaken in collaboration with New York City theater spaces, which, to this day, not only supports artists but also serves audiences who, at affordable ticket prices, have the chance to see a wide range of contemporary dance. Lumberyard will experience more exciting change in 2018 when it opens new facilities in a former lumberyard in Catskill New York, a town approximately two hours from New York City, positioned beautifully between the Hudson River and the Catskill Creek that was once the home of painter Thomas Cole, founder of the renowned Hudson River School. The renovation of the lumberyard, a four-building complex, will produce fabulous studios and housing, allowing Lumberyard to expand its mission of supporting artists throughout the creative process by being able to increase the number of residencies and performance opportunities available to them. The site will also include a state-of-the art performing arts space, certain to become a cultural destination for Catskill residents and for those traveling to the region. By taking ownership of this property, Lumberyard will connect audiences to some of the best and most provocative performances being created today, and the excitement of seeing works in preview before they premier in less intimate venues will extend beyond the stage to include receptions and talk backs with artists. Catskill residents will also benefit by access to a delightful courtyard that will host a farmers' market and other community events.

The CPFQ Child Sponsorship Program is designed to build bridges between the Canadian community and Palestinian children living under occupation or in refugee camps. Children enrolled in our program live under conditions of extreme poverty and unemployment. Many of them live in densely populated refugee camps. A suitable infrastructure is absent, seriously threatening the physical and mental health of residents. Many children suffer from serious health problems and disabilities. Due to financial hardship, many have to leave school at a very young age to help support their families. The severe restrictions on employment and movement make the future of these children very bleak. In addition to providing much needed financial assistance, the program helps maintain stable and rewarding relationships between each child and their sponsor. This simple message of hope can offset some of the effects of the chaotic and insecure conditions in which they live.

THE NEW GEORGIA PROJECT IS A NONPARTISAN EFFORT TO REGISTER AND CIVICALLY ENGAGE GEORGIANS. ​Georgia’s population is growing and becoming increasingly diverse. Over the past decade, the population of Georgia increased 18%. The New American Majority – people of color, those 18 to 29 years of age, and unmarried women – is a significant part of that growth. The New American Majority makes up 62% of the voting age population in Georgia, but they are only 53% of registered voters.

BCF fosters cooperation and goodwill between Bhutan and Canada in several ways: Our main program is a teacher program, in which we work with the Ministry of Education in Bhutan to send qualified teachers to teach in public schools in some of the most rural parts of the country. Since January 2010, BCF has sent a total of 69 teachers to 39 different communities across Bhutan. These teachers have directly impacted the lives of over 10,800 Bhutanese students. We also offer scholarships for Bhutanese youth to complete secondary education in Canada. Finally, as one of the only North American organizations with a permanent presence in Bhutan, we serve as a cultural liaison for many visitors to the country.

The Scout House organization began in 1938 and developed into a championship competitive Corps in North American. It disbanded in 1967 and reformed in 1998. In 2012 the Scout House Cadet Drum & Bugle Corps formed with a 10 person drum line. It has now added a 20 person horn line and is executing a five year plan to reach a 90 person competitive Corps. Cadet ages range from 10 to 18 and up to 83 in the Scout House Band with younger members continually joining. (17 new band members in 2014). No member receives any compensation for their services. The Band is managed by an elected Board Of Directors under a Province of Ontario Corporation Charter. It is a registered charity with the Canada Revenue Agency 88877 4791 RR0001. Funds are derived solely from corporate and personal donations, performance fees and fundraising events. Financial challenges include instrument replacement, uniform replacement, transportation equipment and performance regalia.