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Mission: To create and produce professional theatre productions, programs and services of a national standard.Vision: Acknowledged as the national leader in serving a region through theatre.Core Values:We make a commitment to excellence. Our challenge is to demand from ourselves the highest level of achievement in all areas of the theatre. We will take risks for the opportunity to do something astonishing.We produce work that celebrates the human experience. The purpose and power of the theatrical event have always been to come together in the theatre and discover a new understanding of ourselves. As the cultural fabric of our community becomes more diverse, we must now learn about each other as well.We create art of a national standard. By developing new plays, re-imagining the classics and promoting innovation in all areas of the theatre, Geva will help shape the American Theatre of the twenty-first century.We dedicate ourselves to a collaborative art form. Artists, staff and patrons will always find a supportive home that values and nurtures imagination, exploration and trust.We serve our community through education and outreach. Our responsibility as a resident theatre means providing opportunities, both within and without our walls, for all residents of the Rochester region to learn about and to experience professional theatre.We achieve our mission in a fiscally responsible manner. Every artistic decision is a financial decision, and every financial decision is an artistic decision.

Mission To foster fraternity among the Tamil Speaking community living in San Antonio to create and promote interest and knowledge of Tamil language and culture in the community, by organizing educational, literary, cultural, social and charitable activities in a non-partisan, secular and non-political manner strictly conforming to the laws of the country. Provide a unified forum for Tamils in this area: SATS aims to provide a platform to facilitate interaction among the area tamil people. Promote Tamil culture: ‘KalthonRimaNthonRAkAlammunbemunthonRimuththakudiyilpiranthavanThamizan’. Tamil culture is unique in many respects. SATS strives to promote and preserve Tamil culture Celebrate Tamil festivals: To celebrate festivals such as Pongal, Tamil New Year and Deepavali every year. Organize special projects in Tamil Nadu: For the development of Tamil Nadu, several SATS members are involved in various projects such as College Scholarship fund and Charity clubs. Promote Tamil scholars and artists: To encourage Tamil Scholars and artists from Tamil Nadu to contribute for the growth of Tamil language. Help other Tamils: To help other Tamils in San Antonio and surrounding areas feel at home. Actively participate in Federation of Tamil Associations of North America (FeTNA): To foster unity among different tamilsangams and to support FeTNA, SATS actively participates in the annual FeTNA conference. Make Tamil youth aware of our heritage : To educate and encourage Tamil youth to learn, appreciate, and abide by the Tamil culture

The Battery Conservancy, a non-profit educational corporation, was created in 1994 to revitalize The Battery and renew the spirit of Castle Clinton National Monument, the park's major landmark. The goal is to return The Battery and Castle to their historic roles as the center of cultural life in the Harbor and Downtown New York. The historic Battery, at the southern tip of Manhattan, is one of the most visited parks in New York City. An estimated 6 million people visit The Battery and the Castle annually, including national and international tourists, school children, and local residents and workers in Downtown Manhattan. Sweeping views of the Harbor and the Statue of Liberty and Ellis Island frame the setting for New York's premier waterfront park. Visitors stroll along the 1500-foot Admiral Dewey Promenade at the water's edge, which is also the point of departure for the many ferries taking people to harbor attractions. The park's 25 acres are home to 21 monuments, memorials and works of art, many related to the Battery's role in the history of immigration and defense. The Conservancy plays a pivotal role among organizations vitally interested in the future of The Battery, the downtown district, the waterfront, the quality of community life and the environment in New York. New York City owns and maintains Battery Park through the Department of Parks & Recreation; the U.S. government owns and maintains Castle Clinton through the National Park Service; and both are major sites in New York State's Harbor Heritage Area. Warrie Price, founding President of the Conservancy, serves as the City's Battery Park Administrator and the State's Heritage Area Director.

Founded in 1979, MRT primarily serves the Merrimack Valley – a region of northeast Massachusetts and southern New Hampshire located about 45 minutes from Boston – where it is the only professional theatre. It also draws audiences from the greater Boston area (where it is one of three LORT Theatres), New England, and beyond. Merrimack Repertory Theatre has become known for its unwavering commitment to high production standards and selection of mostly regional and world premieres. This tradition has been embraced by artistic director Sean Daniels, who continues to develop MRT as a leader of new play production in the country. MRT attracts leading professional playwrights, directors, actors and designers from around the country, who share the company's commitment and welcome the opportunity to make MRT one of their theatrical homes. During the 2016-17 Season, the intimate 279-seat theatre will feature seven vibrant plays and musicals about who we are as a people, a country, and New Englanders, that “advance the cause of human understanding through the art of theatre." The lineup includes four world premieres, and three plays that explore New England themes. The Theatre has mounted over 200 productions in its 37-year history, including 23 world premieres and 40 regional premieres. MRT is governed by a 30-member Board of Trustees and receives advisory assistance from a Board of Overseers. Both boards are composed of community leaders, entrepreneurs, and business leaders.

Abbey Arts is a nonprofit based in Seattle, Washington. We curate all ages, intimate listener-oriented concerts and creative arts experiences. We do this primarily at our home venue Fremont Abbey Arts Center, but also at the Ballard Homestead, St Mark’s Cathedral (Capitol Hill), University Heights Center (U-District), and other unique spaces. We foster cross-collaborations between art mediums and artists of all ages and backgrounds.  Many Abbey Arts events feature local developing artists supporting experienced touring headliners. These are definitely shows where you may “see them first!" Our mission is to curate welcoming arts and cultural experiences where people of all ages and incomes can explore creativity, enjoy beauty, grow empathy and increase awareness. Your donation supports: - Our Community Curator Series, empowering local artists and community members to curate their own concerts and events - Local nonprofits who use our spaces for fundraisers, galas, workshops, and more at a highly discounted rate - Events, classes, workshops, and more that are low cost, free, or pay-what-you-can - Our Arts Connect program, which provides complimentary tickets to low income individuals and families, nonprofit employees, and veterans We are so thankful for our donors. Because of your support, we can focus on providing healing music and arts events that bring people together and are accessible to people of all incomes and all ages. Thank you so much for supporting nonprofit arts and music.

The NOCCA Foundation champions the New Orleans Center for Creative Arts. We build philanthropic, lasting partnerships. We invest in young artists, their mentors and the community through programs that encourage educational and cultural innovation. HOW WE SUPPORT NOCCA: The New Orleans Center for Creative Arts was founded in 1973 and opened its doors to students in 1974. Today, NOCCA is Louisiana’s arts conservatory for high school students, offering intensive instruction in Classical Music, Creative Writing, Culinary Arts, Dance, Drama, Jazz, Media Arts, Musical Theatre, Theatre Design, Vocal Music, Visual Arts, and academics. Students come from across Louisiana, attending via full-day, afternoon, and after-school sessions. Admission to NOCCA is by audition, and there is no tuition. The NOCCA Foundation (formerly The NOCCA Institute) is NOCCA’s nonprofit partner, providing supplemental funding for NOCCA and advocacy for its world-class program. Some of the Foundation’s more notable endeavors include: a Student Success Program that pays for students’ classroom supplies, college application fees, required private music lessons, fees associated with important summer training programs across the country, as well as emergency food support; an Artists-in-Residence Program that brings more than 100 professional visiting artists into NOCCA’s classrooms each year; the capital campaign for NOCCA’s current home and expansion projects like Press Street Gardens; a wide array of arts classes for adults; and concert, gallery, and literary events for the community. The Foundation also oversees rentals of the NOCCA campus, making it available to arts organizations, individuals, corporations, and other groups.

Source Vive's mission is to bring support to families and relatives of children suffering leukemia and cancers in the greater Paris North area, at any stage of their disease. (each year, 2000 to 2500 children are declaring cancer or leucemia in France) Support consists of psychologist assistance (2 professionals), art-therapy sessions (1 professional), sport-health (1 professional) sessions and various activities (21 volunteers) such as gardening, cooking and games plays. All this is held in a dedicated 400 sqm+ location in the city of L'Isle Adam (North of Paris). The support is given in complement of and in coordination with the one local hospitals may be providing to the children and their families depending on the stage or importance of treatment. Hospitals may also call Source Vive directly for their support. Source Vive is as such supporting 75 families a year through a personalized and dedicated approach. This is a non-profit support; no financial participation is asked to families; this is free of charge and all financial resources come either from local and national subsidies or private donations. There is no limitation in time to the support provided to families (support length is average 3 years). The Source Vive location is mainly open on week-ends but many additional activities are created along the year to make sure children and families can benefit from a warm and dedicated attention through several experiences ( leisure park visits, horse riding, Christmas spectacle, etc...). Source Vive is also deeply developing in the support they can bring in the scholastic education of children who cannot go to school anymore due to treatments. They bring the support in coordination with local schools and can either bring the support in hospitals or at home for children where needed. Source Vive is also working closely with local other communities to make sure they can maximize synergies and join forces (sport associations, artistical associations, etc...). The association was founded in 1989 by Mrs Sylvie Brechenade who had to manage herself the leukemia of her 3 months children; she realized a lack of psychological support and excha,ge platform at that time and decided to create Source Vice as soon as her child had luckily recovered from the disease. 33 years after, she is still leading the way in the association, while making sure people will be ready to take over her action when time is needed.

Lumberyard, one of the nation's leading contemporary performing arts institutions, serves the performing arts community and its audiences by providing multi-faceted opportunities for artists to develop new work. Unwavering in its commitment to assisting artists throughout the creative process, Lumberyard operates with a collaborative and generous spirit, one driven by this support for artists and appreciation for the audiences who value their work. Lumberyard's history goes back to 1999 when, thanks to founder and benefactor Solange MacArthur, it began as American Dance Institute (ADI), a dance school based in Rockville, Maryland. In 2010, after looking closely at the challenges facing the American contemporary dance field, ADI changed course to focus on artist-centered programs that include residency and performance opportunities. This new direction resulted in what is now Lumberyard's stellar reputation for providing this much needed support, with the Incubator residency program, introduced in 2011, especially praised. Lumberyard also serves emerging artists through its Solange MacArthur Award and Future Artists Initiative. In summer 2016, Lumberyard responded to artists' requests for residencies to culminate with a New York City performance season by launching Lumberyard/NYC, an initiative undertaken in collaboration with New York City theater spaces, which, to this day, not only supports artists but also serves audiences who, at affordable ticket prices, have the chance to see a wide range of contemporary dance. Lumberyard will experience more exciting change in 2018 when it opens new facilities in a former lumberyard in Catskill New York, a town approximately two hours from New York City, positioned beautifully between the Hudson River and the Catskill Creek that was once the home of painter Thomas Cole, founder of the renowned Hudson River School. The renovation of the lumberyard, a four-building complex, will produce fabulous studios and housing, allowing Lumberyard to expand its mission of supporting artists throughout the creative process by being able to increase the number of residencies and performance opportunities available to them. The site will also include a state-of-the art performing arts space, certain to become a cultural destination for Catskill residents and for those traveling to the region. By taking ownership of this property, Lumberyard will connect audiences to some of the best and most provocative performances being created today, and the excitement of seeing works in preview before they premier in less intimate venues will extend beyond the stage to include receptions and talk backs with artists. Catskill residents will also benefit by access to a delightful courtyard that will host a farmers' market and other community events.

The mission of Jazz at Lincoln Center is to entertain, enrich and expand a global community for Jazz through performance, education and advocacy. We believe Jazz is a metaphor for Democracy. Because jazz is improvisational, it celebrates personal freedom and encourages individual expression. Because jazz is swinging, it dedicates that freedom to finding and maintaining common ground with others. Because jazz is rooted in the blues, it inspires us to face adversity with persistent optimism.From our first downbeat as a summer concert series at Lincoln Center in 1987, to the fully orchestrated achievement of opening the world's first venue designed specifically for jazz in 2004, we have celebrated this music and these landmarks with an ever-growing audience of jazz fans from around the world.Representing the totality of jazz music, Jazz at Lincoln Center's mission is carried out through four elements—educational, curatorial, archival, and ceremonial—capturing, in unparalleled scope, the full spectrum of the jazz experience.In the mid-1980s, Lincoln Center, Inc. was looking to expand its programming efforts to attract new and younger audiences, and to fill its halls during the summer months when resident companies were performing elsewhere. Long-time jazz enthusiasts on the Lincoln Center campus and on the Lincoln Center Board recognized the need for America's music to be represented, and lobbied to include jazz in the organization's offerings. After four summers of successful Classical Jazz concerts, Jazz at Lincoln Center (JALC) became an official department of Lincoln Center in 1991. During its first year, JALC produced concerts throughout New York City, including Brooklyn and Harlem. By the second year, JALC had its own radio series on National Public Radio, and the Lincoln Center Jazz Orchestra (now known as the Jazz at Lincoln Center Orchestra) began touring, and recording and selling CDs. By its fourth year, the program reached international audiences with performances in Hong Kong and, the following year, in France, Austria, Italy, Turkey, Norway, Spain, England, Germany and Finland. In July 1996, JALC was inducted as the first new constituent of Lincoln Center since The School of American Ballet joined in 1987, laying the groundwork for the building of a performance facility designed specifically for the sound, function and feeling of jazz.“The whole space is dedicated to the feeling of swing, which is a feeling of extreme coordination," explained Jazz at Lincoln Center's Managing and Artistic Director Wynton Marsalis of his vision for the new home of jazz, or the “House of Swing." “Everything is integrated: the relationship between one space and another, the relationship between the audience and the musicians, is one fluid motion, because that's how our music is." Under Marsalis's direction, JALC sought out world-renowned architect Rafael Viñoly and a team of acoustic engineers to create Frederick P. Rose Hall, the world's first performance, education and broadcast facility devoted to jazz, in New York City. As the centerpiece of a $131 million capital campaign drive, the 100,000-square-foot facility opened in fall 2004 and features three concert and performance spaces (Rose Theater, The Appel Room and Dizzy's Club Coca-Cola) engineered for the warmth and clarity of the sound of jazz.

Dedicated to preserving and sharing Southeast Kansas coal mining history and its diverse immigrant culture. Miners Hall Museum seeks to tell the story of the importance of coal mining in Southeast Kansas. It was formed to preserve and present authentic materials and artifacts that document the history of coal mining and its impact on Southeast Kansas, as well as to be a vital partner in the educational and cultural life of this area through its collections and programs. This includes the story of the immigrants who came from the Little Balkan countries and beyond. A huge section of our population has a tie to the mining industry and we want our young people to understand the importance of their hard work, dedication and desire to acquire a better life for their families. The museum strengthens the spirit and sense of family and community for all of Southeast Kansas while providing educational experiences for all ages, from youth to senior citizens. • Museum exhibits are laid out to tell the story of a miner’s life from immigration through work, social life, home life, education and much more. ancestry & heritage, camp town histories, rare photographs, information on local strikes & labor reform, significant men & women of the twentieth century, the Amazon Army and the story of Bootlegging in SE Kansas. These are just a few of the histories/artifacts one can encounter here at MHM. • The museum includes a library which contains significant information and photos of early coal camps, coal companies and coal miners. • The museum hosts a special quarterly exhibit and programs related to area coal camps, immigrants, miners and their lives. • A visitor can view “Coal Camp” – reproduction of a coal mining camp which includes a true miner’s house. • Learn how the Tornado of 2003 inspired all of SE Kansas and the entire country.* • Learn how noted actor/director Paul Newman supported, inspired and encouraged the community. (He made a sizeable donation to our fund. This donation helped purchase and place a much needed storm siren in the community. Prior to the tornado there was none. This will ensure the safety of our residents in the future. A photocopy of his check and the story is on display at the museum.) • Learn how Joan Hornig, well known New York jewelry designer, leant a helping hand to Franklin, Kansas. Her jewelry sparkles in display cases at high-end retailers like Bergdorf Goodman and Neiman Marcus. (She designed a bracelet and necklace to be auctioned at our Centennial Celebration. She donated the bracelet and 18 necklaces which are proudly worn by area women who were able to place the high bid at auction.) • Learn about the Smithsonian Exhibit which was on display that attracted over 5,000 visitors in a six week period and hundreds of volunteers made that happen. *** • We encourage visitors to explore in depth what MHM has to offer. • Guided tours can be scheduled for family groups, organizations or schools. Educational programs offered and the opportunity to visit with local historians are also available at Miners Hall Museum. • As an added attraction, original artwork and murals are on display in the museum as well as on the grounds. Several pieces of artwork from the SEK Artfest have been donated and are on display. • The center & museum was built shortly after the devastating tornado of 2003 which destroyed much of the community including the former Franklin Community Hall. • While visiting the museum you can also visit the Franklin Community Park and Memorial Garden. Many historic artifacts are incorporated into the design of the park. • The park is built at the site of the former Franklin Community Center. • The Franklin Community Park & Memorial Garden runs adjacent to the Franklin Sidewalk which is listed on the National and State Historic register.

La MaMa is dedicated to the artist and all aspects of the theatre. It has a worldwide reputation for producing daring work in theatre, dance, performance art, and music that defies form and transcends boundaries of language, race, and culture. Founded in 1961 by theatre pioneer and legend Ellen Stewart, La MaMa is a vital part of the fabric of cultural life in NYC and the anchor of FAB (Fourth Arts Block). In the 1960's, Ms. Stewart, one of the first black fashion designers in New York, worked as the executive designer for Saks Fifth Avenue and was undoubtedly a trendsetter. She began La MaMa with the belief that art, in order to flourish, needs: fiscal support, the company of colleagues, the spirit of collaboration and a public forum in which to be evaluated. The original house of La MaMa sat 30 people, and the stage was the size of a bed. Today, La MaMa is a four-building campus with three theaters, an art gallery, an art and technology studio, rehearsal studios, a dormitory, offices, and an extensive archive documenting the history of Off-Off-Broadway. La MaMa produces approximately 70 productions annually, most of which are world premieres. To date, more than 3,500 productions have been presented at La MaMa with 150,000 artists from more than 70 nations. La MaMa's programming is culturally diverse, cross-disciplinary and draws audiences from all walks of life. In addition to affordable ticket prices, La MaMa distributes up to 8,000 free tickets annually to social service and education organizations. Annual visitors exceed 32,000 people from New York and beyond. Each year, La MaMa provides employment opportunities for more than 260 artists and administrators including performers, writers, composers, directors, choreographers, musicians, designers and educators. La MaMa is a think tank and an experimental forum where artists at various stages of their career and creative development come to take risks. Much of the work done here allows the artistic experimenter to take the lessons learned and capitalize on them elsewhere, thus influencing much of what is eventually seen in commercial theater and the entertainment industry at large. In addition, La MaMa provides people of all ages and backgrounds with an opportunity to explore the arts in various capacities - as a member of the audience, the creative team, production crew or cast. "A home to, and champion of, brash and venturesome artists!" - New York Times Countless American artists have worked at La MaMa during the early stages of their careers, including: Blue Man Group, Steve Buscemi, Robert DeNiro, Andre DeShields, Danny DeVito, Olympia Dukakis, Harvey Fierstein, Philip Glass, Bill Irwin, Diane Lane, Bette Midler, Meredith Monk, Estelle Parsons, Sam Shepard, Patti Smith, Elizabeth Swados, Julie Taymor, Andy Warhol, Lanford Wilson, Robert Wilson, Scott Wittman and Joel Zwick. New Eastern European Theatre was introduced to America in 1967 when La MaMa brought Ryszard Cieslak, Ludwig Flaszen, and Jerry Grotowski to New York. Other international artists whose work premiered at La MaMa include Ivica Buljan, Peter Brooke, Tadeusz Kantor, Kazuo Ohno, Andrei Serban, Shuji Teriyama, and Ahmed Yacoubi. La MaMa has received more than 30 Obie Awards, dozens of Drama Desk and Bessie Awards. Recent significant premieres include: The Foundry Theatre's GOOD PERSON OF SZECHWAN; Belarus Free Theatre's BEING HAROLD PINTER (Obie Award); Lee Breuer's LA DIVINA CARICATURA; and SOULOGRAPHIE: OUR GENOCIDES by Eric Ehn.

Our two fold mission: To harness the power of dance and dance movement therapy to heal, empower and transform individuals into active citizens and change makers. To build the ecosystem for DMT for Change across Asia and create leaders and changemakers in the field, especially from underprivileged communities. KS's work addresses three Sustainable Development Goals: Gender Equality, Eradication of Poverty and Good Health and Well Being.The core of KS's work takes place in community settings. This consists of the conducting of Dance Movement Therapy (DMT) sessions for survivors of trafficking, survivors of sexual violence, people with mental illnesses and other marginalized communities. The NGO has created a unique, culturally contextualized module of DMT known as Sampoornata (fulfillment). KS's DMT-for-change model redefines a survivor's relationship with her/his body and helps her/him to overcome trauma, guilt, and shame. Sampoornata is designed to be a vehicle for empowerment: DMT process enables them to form a vision for their life and live with confidence and positivity. Along with this KS has developed its dance based module on sexual and reproductive health and rights that aims to install positive gender relations amongst adolescents. In this way, KS is contributing to the Sustainable Development Goal of Gender Equality. Women and girl children are empowered to overcome social stigma and restrictions and make independent choices. By encouraging women and girl children to seek employment, KS contributes to the Sustainable Development Goal of eradicating poverty. Another way in which the NGO contributes to this goal is through its 'childhood to livelihood approach'. Through this approach, individuals who have gone through the DMT process and who want to take it up as a profession go through a two-year Training of Trainers (TOT) programmed, after which they can be employed as Dance Movement Therapy practitioners. In this sense, they use the arts for economic progress. Additionally, the participants of the TOT programme go through capacity building, from which they get a range of skills that enable them to be employed in various other jobs. Most importantly, the TOT programme creates a new set of change makers from amongst the community. KS contributes to achieving the Sustainable Development Goal of Good Health and Well Being, not only by helping individuals overcome their trauma but also by working in community, institutional care and Health Care Settings. KS conducts DMT in marginalized communities, mental hospitals for people living with mental illnesses. . The activities and aims of the DMT sessions are specially modified to suit the clients. Sampoornata has contributed greatly to developing services that help expand our understanding of mental health and aid in the development of cost effective, sustainable services that are less intrusive and easy to replicate across populations. WORKING POPULATION: Kolkata Sanved believes that everyone has the right to live a life of dignity. Often there are many structural barriers that deprive marginalized communities of this basic entitlement. Therefore Kolkata Sanved aims to reach out to these communities to ensure their rights. This includes Working with children, youth and adolescence: Childhood is a period with potential the potential to influence developmental outcomes. KS work's work with young people include helping them optimal development outcomes. KS works with all categories of young people. Its general well being program is aimed at children in general whereas its direct intervention programs are aimed at children who are at risk. Groups falling within this category are 1. Children and youth living in: Red light areas Railway platforms Rural and urban slums Government and NGO-run shelter homes Children in conflict with Law School children 2. Working with survivors of trafficking exploitation and violence: Most survivors of violence undergo intense trauma, KS helps to empower survivors through their trauma based interventions so they can reclaim their lives. This works on fulfilling the goals of gender equity and good health and well being. In lieu of their work KS found that a lot of violence happens in the context of gender based discrimination. For this purpose KS launched the module on sexual and reproductive health and rights that enables adolescents to work towards the goal of gender equity. This unique model uses dance as a tool of education and awareness. 3. People living with mental illness (PLMI): KS works with people living with mental illness to help in the process of their recovery. Through its general well being program KS ensures PLMI are able to gain the life skills necessary for reintegration. 4. Secondary stakeholders and beneficiaries include, care providers, academy participants, researchers and stakeholders within the government sector. KS also reaches out to other civil society members through campaign.