Search Nonprofits

In an intimate setting, the Gamm creates the finest of live theater; entertaining, intellectually enriching and emotionally liberating, which engages the audience intensely with perennial and present issues of consequence. Gamm further serves the public with educational outreach programming designed to both support the theatrical experience and help sustain and enhance the intellectual and cultural life of its community. Vision Statement The Gamm aspires to become a major regional presence in the performing arts community as well as a stimulus to economic growth in the local community and statewide. The Gamm is committed to reaching out to our ever-expanding community and carrying forward our well-established local identity to the rest of New England and beyond.   As a re-inventor of timeless classics as well as a fearless provocateur and producer of contemporary and new work, we aim to raise tough moral and political questions central to our understanding of human nature and community, both on a domestic and international level, and engage diverse audiences with common understanding and compassion.

The dream of little girls to put on a tutu and glitter—and dance just like other little girls their age. Despite their dreams, these girls were not able to dance like their friends, sisters, cousins and even their mothers. They had physical and medical challenges that prevented them from joining classes in their community. Joann Ferrara, a pediatric physical therapist, was inspired to make the dancing dreams of children come true when one day a little girl with cerebral palsy in a tiara and tutu said simply, “I wish I could be a dancer but nobody wants me.”Dancing Dreams has grown from five girls to current 130 girls and boys. Classes are adapted so each child can participate to the best of his or her own unique ability. Our annual performance, complete with elaborate sets and numerous costume changes, is a highlight for our dancers and their families.

Frequent Flyers® mission is to create and promote the magic of aerial dance through performance and education. Our vision is to help people to see the world from a new perspective through experiencing the upside-down realm of aerial dance. We believe this expanded consciousness helps people to maximize their creative potential. Frequent Flyers® Aerial Dance is a non-profit founded in 1988. Our Organization has a robust education program encompassing over 30 community classes a week, summer camp and intensives, a nine month Professional Training program, a student company with over 40 members, and outreach programming for at-risk youth. We have taught over 20,000 students the joy of dancing in the air. The Professional Performing Company has won many awards and accolades, including the recently resounding success at the Kennedy Center in Washington, DC. Over 190,000 audience members have experienced the beauty and strength of our performances. Frequent Flyers® also created the first international Aerial Dance Festival, now in its 19th year.

The Jazz Loft's mission is one of Jazz preservation, education, and performance, and has quickly become the premier destination for all things Jazz. Presenting a full performance calendar of local, national and international artists in our period 1940s second floor performance space the Loft also has an extensive education program. Our Pre College Jazz Institute in collaboration with Stony Brook University offers training in jazz theory, performance and masterclass settings to outstanding high school musicians. Our Young at Heart program offers music therapy presentations for those with memory loss and their caregivers. A monthly lecture series and scheduled family concerts round out our community outreach endeavors which are due in part to an outstanding team of sponsors and community leaders. The Jazz Lofts final mission point is that of preservation which is alive and well and on view 24/7 in our 6,000 square feet of original jazz memorabilia spanning 100 years of the American born art form celebrating not only the music, but art and photography as well throughout our many galleries.

The mission of Jazz at Lincoln Center is to entertain, enrich and expand a global community for Jazz through performance, education and advocacy. We believe Jazz is a metaphor for Democracy. Because jazz is improvisational, it celebrates personal freedom and encourages individual expression. Because jazz is swinging, it dedicates that freedom to finding and maintaining common ground with others. Because jazz is rooted in the blues, it inspires us to face adversity with persistent optimism.From our first downbeat as a summer concert series at Lincoln Center in 1987, to the fully orchestrated achievement of opening the world's first venue designed specifically for jazz in 2004, we have celebrated this music and these landmarks with an ever-growing audience of jazz fans from around the world.Representing the totality of jazz music, Jazz at Lincoln Center's mission is carried out through four elements—educational, curatorial, archival, and ceremonial—capturing, in unparalleled scope, the full spectrum of the jazz experience.In the mid-1980s, Lincoln Center, Inc. was looking to expand its programming efforts to attract new and younger audiences, and to fill its halls during the summer months when resident companies were performing elsewhere. Long-time jazz enthusiasts on the Lincoln Center campus and on the Lincoln Center Board recognized the need for America's music to be represented, and lobbied to include jazz in the organization's offerings. After four summers of successful Classical Jazz concerts, Jazz at Lincoln Center (JALC) became an official department of Lincoln Center in 1991. During its first year, JALC produced concerts throughout New York City, including Brooklyn and Harlem. By the second year, JALC had its own radio series on National Public Radio, and the Lincoln Center Jazz Orchestra (now known as the Jazz at Lincoln Center Orchestra) began touring, and recording and selling CDs. By its fourth year, the program reached international audiences with performances in Hong Kong and, the following year, in France, Austria, Italy, Turkey, Norway, Spain, England, Germany and Finland. In July 1996, JALC was inducted as the first new constituent of Lincoln Center since The School of American Ballet joined in 1987, laying the groundwork for the building of a performance facility designed specifically for the sound, function and feeling of jazz.“The whole space is dedicated to the feeling of swing, which is a feeling of extreme coordination," explained Jazz at Lincoln Center's Managing and Artistic Director Wynton Marsalis of his vision for the new home of jazz, or the “House of Swing." “Everything is integrated: the relationship between one space and another, the relationship between the audience and the musicians, is one fluid motion, because that's how our music is." Under Marsalis's direction, JALC sought out world-renowned architect Rafael Viñoly and a team of acoustic engineers to create Frederick P. Rose Hall, the world's first performance, education and broadcast facility devoted to jazz, in New York City. As the centerpiece of a $131 million capital campaign drive, the 100,000-square-foot facility opened in fall 2004 and features three concert and performance spaces (Rose Theater, The Appel Room and Dizzy's Club Coca-Cola) engineered for the warmth and clarity of the sound of jazz.

La MaMa is dedicated to the artist and all aspects of the theatre. It has a worldwide reputation for producing daring work in theatre, dance, performance art, and music that defies form and transcends boundaries of language, race, and culture. Founded in 1961 by theatre pioneer and legend Ellen Stewart, La MaMa is a vital part of the fabric of cultural life in NYC and the anchor of FAB (Fourth Arts Block). In the 1960's, Ms. Stewart, one of the first black fashion designers in New York, worked as the executive designer for Saks Fifth Avenue and was undoubtedly a trendsetter. She began La MaMa with the belief that art, in order to flourish, needs: fiscal support, the company of colleagues, the spirit of collaboration and a public forum in which to be evaluated. The original house of La MaMa sat 30 people, and the stage was the size of a bed. Today, La MaMa is a four-building campus with three theaters, an art gallery, an art and technology studio, rehearsal studios, a dormitory, offices, and an extensive archive documenting the history of Off-Off-Broadway. La MaMa produces approximately 70 productions annually, most of which are world premieres. To date, more than 3,500 productions have been presented at La MaMa with 150,000 artists from more than 70 nations. La MaMa's programming is culturally diverse, cross-disciplinary and draws audiences from all walks of life. In addition to affordable ticket prices, La MaMa distributes up to 8,000 free tickets annually to social service and education organizations. Annual visitors exceed 32,000 people from New York and beyond. Each year, La MaMa provides employment opportunities for more than 260 artists and administrators including performers, writers, composers, directors, choreographers, musicians, designers and educators. La MaMa is a think tank and an experimental forum where artists at various stages of their career and creative development come to take risks. Much of the work done here allows the artistic experimenter to take the lessons learned and capitalize on them elsewhere, thus influencing much of what is eventually seen in commercial theater and the entertainment industry at large. In addition, La MaMa provides people of all ages and backgrounds with an opportunity to explore the arts in various capacities - as a member of the audience, the creative team, production crew or cast. "A home to, and champion of, brash and venturesome artists!" - New York Times Countless American artists have worked at La MaMa during the early stages of their careers, including: Blue Man Group, Steve Buscemi, Robert DeNiro, Andre DeShields, Danny DeVito, Olympia Dukakis, Harvey Fierstein, Philip Glass, Bill Irwin, Diane Lane, Bette Midler, Meredith Monk, Estelle Parsons, Sam Shepard, Patti Smith, Elizabeth Swados, Julie Taymor, Andy Warhol, Lanford Wilson, Robert Wilson, Scott Wittman and Joel Zwick. New Eastern European Theatre was introduced to America in 1967 when La MaMa brought Ryszard Cieslak, Ludwig Flaszen, and Jerry Grotowski to New York. Other international artists whose work premiered at La MaMa include Ivica Buljan, Peter Brooke, Tadeusz Kantor, Kazuo Ohno, Andrei Serban, Shuji Teriyama, and Ahmed Yacoubi. La MaMa has received more than 30 Obie Awards, dozens of Drama Desk and Bessie Awards. Recent significant premieres include: The Foundry Theatre's GOOD PERSON OF SZECHWAN; Belarus Free Theatre's BEING HAROLD PINTER (Obie Award); Lee Breuer's LA DIVINA CARICATURA; and SOULOGRAPHIE: OUR GENOCIDES by Eric Ehn.

The Scout House organization began in 1938 and developed into a championship competitive Corps in North American. It disbanded in 1967 and reformed in 1998. In 2012 the Scout House Cadet Drum & Bugle Corps formed with a 10 person drum line. It has now added a 20 person horn line and is executing a five year plan to reach a 90 person competitive Corps. Cadet ages range from 10 to 18 and up to 83 in the Scout House Band with younger members continually joining. (17 new band members in 2014). No member receives any compensation for their services. The Band is managed by an elected Board Of Directors under a Province of Ontario Corporation Charter. It is a registered charity with the Canada Revenue Agency 88877 4791 RR0001. Funds are derived solely from corporate and personal donations, performance fees and fundraising events. Financial challenges include instrument replacement, uniform replacement, transportation equipment and performance regalia.

Cultivate And Enhances An Understanding And Appreciation Of Dance Through International And Local Touring. Bring Dance Companies To Our 2 Home Cities. Dance School For Pre Collegiate Students.

Kuumbwa Jazz provides opportunities for residents and visitors in the Santa Cruz area to enjoy and appreciate the full spectrum of jazz music through live performance and education. We present extraordinary regional, national, and international musicians, and provide educational programs for people of all ages.

Canada World Youth (CWY) is a world leader in developing international educational programs for young people aged 15 to 25. Thanks to the support of donors, partners, host families and the government, since 1971, CWY has enabled over 36,000 youth to participate in programs across Canada and in 67 countries around the world.

Produce New, Little-Known And Familiar Operas And Musical Theater In Innovative Productions; Provide Professional Training And Performance Opportunities For Emerging Artists And Interns; Engage Important Artists Who Inspire The Highest Standards Of Achievement; Inspire Dialogue Around Meaningful Issues Of The Day Through Song And Story; Collaborate With Regional Organizations, Schools And Businesses To Enhance Life In Central New York.

Quasimondo Milwaukee Physical Theatre, is an ensemble of multidisciplinary artists committed to creating original work through inter-arts collaboration. We explore forms of performance and fuse modes of expression, challenging theatrical paradigms to create innovative work that is aural, kinetic, visual, and visceral. We strive through research, training, and performance to expose ourselves and audiences to international theatrical traditions and perspectives. It is our mission to make theatre that celebrates the diversity of the world we live in, that communicates in a common sensory language; that inspires audiences and enriches the community.