Search Nonprofits

Jeffrey Myers, first violinist of the Calidore String Quartet, makes his home in New York City. His chamber music career with the award winning Calidore String Quartet has established an international reputation for its informed, polished, and passionate performances. The quartet won the $100,000 Grand Prize at the inaugural 2016 M-Prize International Chamber Music Competition along with grand prizes in the Fischoff, Coleman, Chesapeake, and Yellow Springs competitions and captured top prizes at the 2012 ARD Munich International String Quartet Competition, and Hamburg International Chamber Music Competition. The CSQ is a recipient of a 2018 Avery Fisher Career Grant and a 2017 Lincoln Center Emerging Artist Award. The quartet was the first North American ensemble to win the Borletti-Buitoni Trust Fellowship, was a BBC Radio 3 New Generation Artist, and is currently in residence with the Chamber Music Society of Lincoln Center’s Bowers Program.

The Bach, Beethoven, and Brahms (BB&B) Society of Boston was formed in the spring of 2016 by Music Director Steven Lipsitt and the musicians of the former Boston Classical Orchestra. A new Board of Directors, led by Professor Herbert F. Voigt, Ph.D., is determined to continue a beloved and time-honored tradition of great, expertly performed orchestral concerts presented in one of America’s most historic spaces, Boston’s Faneuil Hall. Following debut concerts in March and April of 2016, and thanks to the generosity and loyalty of supporters, BB&B presented a full 2016 – 2017 season of subscription concerts to excited, enthusiastic audiences. Sharing the stunning musical virtuosity of its own professional musicians, world-class guest soloists, and a level of quality that has been the hallmark of concerts in its Faneuil Hall home for many years, BB&B renewed old friendships and developed new ones, laying the groundwork for a bright future as Boston’s newest professional orchestra.

Since 1983 Children's Place has offered a wide range of flexible, accessible, FREE early learning & family support programs. Today we serve over 2000 families from 11 different locations in central west Toronto. Programs include: family drop-ins, child development activities focusing on & exploring senses & developing motor skills, occasional childcare, community outreach, family literacy, food & nutrition support, parent & caregiver support & education, peer contact & mutual support, play & recreation, health & safety promotion, information about & referrals to other resources, toy & book lending. Our staff and volunteers are able to communicate in different languages including English, Portuguese, Spanish, Mandarin, Cantonese, Somali, Hindi, Gujarati, Urdu & Italian. Participants include: young children 0 to 6, parents, expectant parents, very young parents, parents/caregivers/children with special needs, grandparents, nannies & home providers, newcomer & immigrant families.

Mission: To create and produce professional theatre productions, programs and services of a national standard.Vision: Acknowledged as the national leader in serving a region through theatre.Core Values:We make a commitment to excellence. Our challenge is to demand from ourselves the highest level of achievement in all areas of the theatre. We will take risks for the opportunity to do something astonishing.We produce work that celebrates the human experience. The purpose and power of the theatrical event have always been to come together in the theatre and discover a new understanding of ourselves. As the cultural fabric of our community becomes more diverse, we must now learn about each other as well.We create art of a national standard. By developing new plays, re-imagining the classics and promoting innovation in all areas of the theatre, Geva will help shape the American Theatre of the twenty-first century.We dedicate ourselves to a collaborative art form. Artists, staff and patrons will always find a supportive home that values and nurtures imagination, exploration and trust.We serve our community through education and outreach. Our responsibility as a resident theatre means providing opportunities, both within and without our walls, for all residents of the Rochester region to learn about and to experience professional theatre.We achieve our mission in a fiscally responsible manner. Every artistic decision is a financial decision, and every financial decision is an artistic decision.

Founded in 1979, MRT primarily serves the Merrimack Valley – a region of northeast Massachusetts and southern New Hampshire located about 45 minutes from Boston – where it is the only professional theatre. It also draws audiences from the greater Boston area (where it is one of three LORT Theatres), New England, and beyond. Merrimack Repertory Theatre has become known for its unwavering commitment to high production standards and selection of mostly regional and world premieres. This tradition has been embraced by artistic director Sean Daniels, who continues to develop MRT as a leader of new play production in the country. MRT attracts leading professional playwrights, directors, actors and designers from around the country, who share the company's commitment and welcome the opportunity to make MRT one of their theatrical homes. During the 2016-17 Season, the intimate 279-seat theatre will feature seven vibrant plays and musicals about who we are as a people, a country, and New Englanders, that “advance the cause of human understanding through the art of theatre." The lineup includes four world premieres, and three plays that explore New England themes. The Theatre has mounted over 200 productions in its 37-year history, including 23 world premieres and 40 regional premieres. MRT is governed by a 30-member Board of Trustees and receives advisory assistance from a Board of Overseers. Both boards are composed of community leaders, entrepreneurs, and business leaders.

Lumberyard, one of the nation's leading contemporary performing arts institutions, serves the performing arts community and its audiences by providing multi-faceted opportunities for artists to develop new work. Unwavering in its commitment to assisting artists throughout the creative process, Lumberyard operates with a collaborative and generous spirit, one driven by this support for artists and appreciation for the audiences who value their work. Lumberyard's history goes back to 1999 when, thanks to founder and benefactor Solange MacArthur, it began as American Dance Institute (ADI), a dance school based in Rockville, Maryland. In 2010, after looking closely at the challenges facing the American contemporary dance field, ADI changed course to focus on artist-centered programs that include residency and performance opportunities. This new direction resulted in what is now Lumberyard's stellar reputation for providing this much needed support, with the Incubator residency program, introduced in 2011, especially praised. Lumberyard also serves emerging artists through its Solange MacArthur Award and Future Artists Initiative. In summer 2016, Lumberyard responded to artists' requests for residencies to culminate with a New York City performance season by launching Lumberyard/NYC, an initiative undertaken in collaboration with New York City theater spaces, which, to this day, not only supports artists but also serves audiences who, at affordable ticket prices, have the chance to see a wide range of contemporary dance. Lumberyard will experience more exciting change in 2018 when it opens new facilities in a former lumberyard in Catskill New York, a town approximately two hours from New York City, positioned beautifully between the Hudson River and the Catskill Creek that was once the home of painter Thomas Cole, founder of the renowned Hudson River School. The renovation of the lumberyard, a four-building complex, will produce fabulous studios and housing, allowing Lumberyard to expand its mission of supporting artists throughout the creative process by being able to increase the number of residencies and performance opportunities available to them. The site will also include a state-of-the art performing arts space, certain to become a cultural destination for Catskill residents and for those traveling to the region. By taking ownership of this property, Lumberyard will connect audiences to some of the best and most provocative performances being created today, and the excitement of seeing works in preview before they premier in less intimate venues will extend beyond the stage to include receptions and talk backs with artists. Catskill residents will also benefit by access to a delightful courtyard that will host a farmers' market and other community events.

La MaMa is dedicated to the artist and all aspects of the theatre. It has a worldwide reputation for producing daring work in theatre, dance, performance art, and music that defies form and transcends boundaries of language, race, and culture. Founded in 1961 by theatre pioneer and legend Ellen Stewart, La MaMa is a vital part of the fabric of cultural life in NYC and the anchor of FAB (Fourth Arts Block). In the 1960's, Ms. Stewart, one of the first black fashion designers in New York, worked as the executive designer for Saks Fifth Avenue and was undoubtedly a trendsetter. She began La MaMa with the belief that art, in order to flourish, needs: fiscal support, the company of colleagues, the spirit of collaboration and a public forum in which to be evaluated. The original house of La MaMa sat 30 people, and the stage was the size of a bed. Today, La MaMa is a four-building campus with three theaters, an art gallery, an art and technology studio, rehearsal studios, a dormitory, offices, and an extensive archive documenting the history of Off-Off-Broadway. La MaMa produces approximately 70 productions annually, most of which are world premieres. To date, more than 3,500 productions have been presented at La MaMa with 150,000 artists from more than 70 nations. La MaMa's programming is culturally diverse, cross-disciplinary and draws audiences from all walks of life. In addition to affordable ticket prices, La MaMa distributes up to 8,000 free tickets annually to social service and education organizations. Annual visitors exceed 32,000 people from New York and beyond. Each year, La MaMa provides employment opportunities for more than 260 artists and administrators including performers, writers, composers, directors, choreographers, musicians, designers and educators. La MaMa is a think tank and an experimental forum where artists at various stages of their career and creative development come to take risks. Much of the work done here allows the artistic experimenter to take the lessons learned and capitalize on them elsewhere, thus influencing much of what is eventually seen in commercial theater and the entertainment industry at large. In addition, La MaMa provides people of all ages and backgrounds with an opportunity to explore the arts in various capacities - as a member of the audience, the creative team, production crew or cast. "A home to, and champion of, brash and venturesome artists!" - New York Times Countless American artists have worked at La MaMa during the early stages of their careers, including: Blue Man Group, Steve Buscemi, Robert DeNiro, Andre DeShields, Danny DeVito, Olympia Dukakis, Harvey Fierstein, Philip Glass, Bill Irwin, Diane Lane, Bette Midler, Meredith Monk, Estelle Parsons, Sam Shepard, Patti Smith, Elizabeth Swados, Julie Taymor, Andy Warhol, Lanford Wilson, Robert Wilson, Scott Wittman and Joel Zwick. New Eastern European Theatre was introduced to America in 1967 when La MaMa brought Ryszard Cieslak, Ludwig Flaszen, and Jerry Grotowski to New York. Other international artists whose work premiered at La MaMa include Ivica Buljan, Peter Brooke, Tadeusz Kantor, Kazuo Ohno, Andrei Serban, Shuji Teriyama, and Ahmed Yacoubi. La MaMa has received more than 30 Obie Awards, dozens of Drama Desk and Bessie Awards. Recent significant premieres include: The Foundry Theatre's GOOD PERSON OF SZECHWAN; Belarus Free Theatre's BEING HAROLD PINTER (Obie Award); Lee Breuer's LA DIVINA CARICATURA; and SOULOGRAPHIE: OUR GENOCIDES by Eric Ehn.

Lineage is your home for connecting through the arts; a place where you're invited to find your creative voice through dance, music, theater, and other performing arts. We produce our own performances, we serve as a home for visiting artists to produce their own work, and we create opportunities to grow and advance through education.

UPTOWN! Entertainment Alliance operates the Uptown! Knauer Performing Arts Center as a home for live performance, film, education and the life of our community.

Cultivate And Enhances An Understanding And Appreciation Of Dance Through International And Local Touring. Bring Dance Companies To Our 2 Home Cities. Dance School For Pre Collegiate Students.

THE SAN FRANCISCO SYMPHONY SETS THE HIGHEST POSSIBLE STANDARD FOR EXCELLENCE IN MUSICAL PERFORMANCE AT HOME AND AROUND THE WORLD; ENRICHES, SERVES, AND SHAPES CULTURAL LIFE THROUGHOUT THE SPECTRUM OF BAY AREA COMMUNITIES; MAINTAINS FINANCIAL STABILITY AND GAINS PUBLIC RECOGNITION AS A MEANS OF ENSURING ITS ABILITY TO FULFILL ITS MISSION.

TheatreLAB is Richmond's home for unexpected and evocative performance. Through artistry and imagination, TheatreLAB creates unique theatrical experiences that spark a collaborative exchange of ideas between artist and audience. The TheatreLAB ensemble cultivates and environment that fosters emerging talent and challenges artistic norms through experimental devices on new and thrilling works.